Salsa, bachata, reggaeton: how to tell Latin rhythms apart
Salsa, bachata, merengue, cumbia, kizomba, reggaeton, dembow: tempo, origins and basic steps to recognise every Latin rhythm from the very first notes.
A track comes on and you’re not sure: is it salsa or merengue? Do you dance close or do you jump? Here are the landmarks to recognise the seven rhythms you’ll hear at EPICO parties. The tempos are ballpark figures: every song has its own.
Salsa — fast, brassy and built on the clave
- Tempo: roughly 150 to 220 BPM.
- Origins: Cuban son, reinvented in New York in the 1960s and 70s, then in Cali and Puerto Rico.
- What you hear: powerful horns, a piano repeating a pattern (the montuno), congas and timbales.
- On the floor: danced in pairs, on an eight-count, with spins and turn patterns.
Bachata — the crying guitar
- Tempo: roughly 120 to 140 BPM.
- Origins: the Dominican Republic.
- What you hear: a high, melodic guitar (the requinto), bongos and the metallic güira.
- On the floor: three steps and a hip tap on the fourth beat. Perfect for beginners.
Merengue — marching energy
- Tempo: roughly 120 to 160 BPM.
- Origins: the Dominican Republic.
- What you hear: the tambora and güira hammering every beat, often with an accordion.
- On the floor: you “march” on the spot while swaying your hips. The easiest of them all.
Cumbia — the sway of the roots
- Tempo: roughly 85 to 100 BPM.
- Origins: Colombia’s Caribbean coast, then all of Latin America.
- What you hear: the scraping guacharaca, rolling percussion, sometimes flutes or an accordion.
- On the floor: a step back, a step in place, and turning in a circle.
Kizomba — slow and connected
- Tempo: roughly 80 to 100 BPM.
- Origins: 1980s Angola, somewhere between semba and zouk.
- What you hear: round basslines and a slow, sensual groove.
- On the floor: very close to your partner, walking, with lots of connection.
Reggaeton — the dembow that makes heads nod
- Tempo: roughly 88 to 100 BPM.
- Origins: Panama and Puerto Rico, in the 1990s.
- What you hear: the famous “boom-ch-boom-chick” drum pattern, the dembow.
- On the floor: solo or in a group, perreo style, singing every chorus.
Dembow — the fast-forward version
- Tempo: roughly 110 to 130 BPM.
- Origins: the Dominican Republic, in the 2000s.
- What you hear: a repetitive beat, faster and rawer than reggaeton.
- On the floor: jump, let go, stop thinking.
The ultimate test
Listen to the drums. If they go “boom-ch-boom-chick”, it’s reggaeton or dembow. If the guitar leads, it’s bachata. If the horns explode, it’s salsa. To practise, come to a Salsa & Bachata Night or a Reggaeton Takeover.